01 / RHYTHM → STORY
Find your first great cut.
A folder of footage is not a film yet.
Momentium Creative SuiteOne of four creative products
Browser Lite / OPEN FOR EXPLORATION
ScenePilot
Find the rhythm. Make the cut.
Start a video project, explore the timing and refine the sequence in Browser Lite.
Browser Lite · desktop Pro features and release status are separate
More starter examples
SCENEPILOT / LEARN BY MAKINGYour footage.
Your footage.
Your rhythm. Your world.
Hold a shot, shape its color, weave in type or blend another scene. Follow the AutoCut workshop when you want to explore beat-driven editing.
Sophie Sky / Roze. Actual footage, ready to edit.
These projects include real clips and soundtracks from the channel: Ecstatic Dance, I FEEL ALIVE, California Coast and Joshua Tree, Roadtrip Around KAUAI, and Day In The Life. Open a mini studio, change the film, and keep your editable version.
Watch the original collection ↗02 / LIGHT → LAYERS
Let two scenes become one.
The second scene looks pasted on.
03 / COLOR → FEELING
One film. Three feelings.
The footage has no shared visual mood.
04 / MOTION → MOMENT
Make the movement land.
The best movement passes too quickly.
05 / WORDS → IMPACT
Give the scene a voice.
A beautiful shot still needs a memorable message.
06 / TIMING → TENSION
Make every frame earn its place.
The opening waits too long to reveal the next shot.
07 / CUT → CONNECTION
Cut, dissolve, or make a move.
The transition calls attention to itself.
08 / FILM → SHARE
One edit. Every screen.
The wide edit loses its focal point on a phone.
Build a film that feels like you.
Make a travel diary feel like a trailer.
Coast and Joshua Tree: tease the setting, reveal a person, and finish on the strongest landscape. AutoCut supplies timing; you decide which shots tell the story.
Build a music video's visual signature.
Ecstatic Dance or I FEEL ALIVE: blend light over performance, land kinetic type on an accent, and use one speed change to make a gesture memorable.
Turn the everyday into a visual poem.
Day In The Life: trim to small details, move a phrase through the frame, and keep the color treatment consistent across the film.
ScenePilot feature review & advanced paths
These lessons run native analysis, sequence editing, track blending, grading, titles, remapping, framing, and browser delivery. Preview and export share the same compositor.
Native overlay track blends: Normal, Screen, Multiply, Overlay. Desktop composition layers also support Lighten, Darken, Difference, and Color Dodge.
Desktop Pro goes further: editable masks and rotoscoping, point and planar tracking, 3D compositions/cameras, effect graphs, transcript editing and story assembly, color scopes/Curves/LUTs, audio buses, professional interchange, and queued deliveries. These are deeper lesson directions, not unlocked desktop features in a browser preview.
Explore the complete feature reference
INSIDE SCENEPILOT
What ScenePilot can do.
Find the rhythm of your footage, then shape the edit, sound, and motion.
19features to explore
Build the first cut
5 features
Media import
Bring in audio and video and manage linked source files.
Try this in an exampleBeat-aware first cuts
Analyze music or footage and generate an editable starting sequence.
Try this in an exampleDraft review
Preview a proposed cut before applying it to the active edit.
Try this in an exampleTimeline editing
Arrange, split, trim, move, and refine clips.
Try this in an exampleSource editing
Mark source ranges and use supported insert, overwrite, and fit-to-fill workflows.
Refine the timeline & sound
5 features
Multitrack editing
ProCombine multiple video and audio tracks.
Linked audio
ProPreserve supported picture/audio relationships during editing.
Audio controls
ProDecoded waveforms, clip gain, panning, fades, crossfades, and volume automation.
Timing tools
ProSupported speed changes, rate stretching, and professional trim operations.
Transitions and effects
Apply and preview available transitions, effects, grading, and generated visuals.
Try this in an example
Motion, compositing & AI
5 features
Motion compositions
ProCombine text, footage, shapes, and other layers in reusable compositions.
Animation
ProKeyframes, easing, value graphs, motion controls, parenting, nulls, and precompositions.
Masks and compositing
ProNested compositions, masks, mattes, and supported blending workflows.
Rotoscoping and removal
experimental/ProPerson and object isolation paths, plus removal tools requiring shot-by-shot review.
Transcription and captions
betaSpeech transcription and transcript/caption editing workflows.
Organize & deliver
4 features
Project organization
ProMedia bins, proxies, relinking, recovery history, and saved projects.
Reusable creative assets
ProExtension packs containing compositions, looks, and effect recipes.
Delivery
Browser Lite targets local 1080p H.264 delivery; Pro adds broader profiles, 4K workflows, and a persistent render queue.
Try this in an exampleAudio/interchange outputs
ProSupported WAV stem and OpenTimelineIO workflows.
01 / INSIDE THE STUDIO
One project.
Every creative detour.
Cut a sequence. Open a composition. Design a look. Keep your ideas connected, and every decision editable.
EDIT / THE MASTER SEQUENCE
The whole story.
Not a pile of exports.
A professional Master Sequence brings your clips, sound and nested compositions together.
- Import into Project Media. Open a source and mark your range.
- Insert or overwrite. Trim, slip, slide and fade on the timeline.
- Add a composition as a clip. Keep its layers editable.
Multi-track video + audio editing
Waveforms and volume automation
Waveforms and volume automation
COMPOSITION / LAYERS WITH A LIFE OF THEIR OWN
Go inside
the frame.
Create a comp from your project settings, then move between the scene and the sequence without flattening the idea.
- Create a matched comp from the left Project Media panel.
- Stack footage, shapes and text. Animate with keyframes.
- Nest it in the master or another composition.
Parenting, precomps and motion curves
True pixel alpha and luma mattes
True pixel alpha and luma mattes
FX / A STARTING POINT, NOT A PRESET PRISON
Find it.
Layer it. Make it yours.
Explore effect primitives and editable stacks, then build deeper combinations in the composition graph.
- Open FX in Project Media and browse a look.
- Audition the rendered sample with before/after controls.
- Apply to your selection. Adjust the stack or graph.
27 effect primitives · 9 stack recipes
Sample audition is not selected-footage preview
Sample audition is not selected-footage preview
Captured from the current development build. Public downloads may be an earlier version. Click a workspace to inspect it.
02 / FOLLOW THE WHAT-IF
One frame.
Every direction.
Explore every built-in clip effect, then go further with looks, lighting, transitions, motion and typography. Real ScenePilot renders. Your next idea starts here.
THE EFFECT LIBRARY
Explore the rendered library
ORIGINALNOIR / 100%
RENDERED IN SCENEPILOT / LOOKS
Noir
Strip away the color. Keep the drama.
RENDER INGREDIENTS
- Monochrome
- Punch Contrast
- Glow
61 rendered frames. Manual scrubbing only; no autoplay.
Drag the divider to compare.
Actual ScenePilot renders, not website filters. Three pre-rendered strengths for still effects; manually stepped samples for temporal presets. Timing tools use a moving test card and a demonstration beat grid. No autoplay or flashing playback. Render details.
Build your own effect stackNo matching effects. Try a different search or choose all families.
All 27 clip effects, plus built-in looks, grades, transition, strobe, punch, shake, stutter, speed, echo and text-animation presets. Custom graphs, imported LUTs, masks and user-authored compositions have no finite preset list and aren’t represented as exhaustive examples here. Photograph by Johannes Mändle / Unsplash. Current web/shared compositor renders; not a native Pro parity claim.
COLOR
Curves, 3D LUTs, temperature and green/magenta tint.
MOTION
Keyframes, expressions, particles and animated typography.
COMPOSITING
Blend modes, masks, mattes and connected effect graphs.
03 / AUTOMATION WITH AN OFF SWITCH
Find the rhythm.
Keep the control.
Music mode works from beats, transients and energy. Cinematic mode focuses on footage and pacing. Choose the direction—and change it when the story changes.
Three real first cuts give you starting points, not finished answers. Every cut can be moved, trimmed or rebuilt.
Meet Auto Director A STUDY IN PACING8 BARS / 4:4
Balanced: 8 shots across 8 bars. A cut on each downbeat.
Silent, illustrative timing demo—not music analysis. In ScenePilot, import your own song to analyze and correct its beat grid. No flashing strobe preview.
04 / GO DEEPER ON DESKTOP
Your machine.
Your creative engine.
A resilient desktop engine for local media, deeper finishing and the parts of the process you shouldn’t have to babysit.
Isolate the subject.
Local semantic subject isolation with foreground/background guidance, temporal propagation, refine tools and disk-backed alpha caching.
Desktop Pro · supported models and hardware requiredGive sound its space.
Multi-track mixing, gain, pan, fades, automation and dedicated stems. Native/PCM processing and BS.1770 integrated LUFS analysis.
Mix, measure and deliverFinish with confidence.
A shared frame model drives preview and export. Pro adds a hybrid render queue, proxies, cancellation, recovery and missing-media relinking.
Codec and acceleration support vary by system05 / CHOOSE YOUR STARTING POINT
Start light.
Take it further.
Two editions. One creative direction. Try the browser workflow or explore the desktop preview.
BROWSER LITE
FREE TO TRYFind your first cut.
Open a tab and explore the core workflow. No source-media upload is required for local editing.
- Music analysis and editable automation
- Multi-track timeline and project media
- Core motion and effects
- Browser-based preview and export
Browser memory and codec limits apply. Layered compositions require Desktop Pro.
DESKTOP PRO
EARLY ACCESSBuild the final master.
The desktop workflow adds native media tools, local AI options and deeper delivery controls.
- Local semantic roto and alpha caching
- Native audio mixing and stem delivery
- Proxies and persistent background delivery
- OTIO interchange and recovery tools
Apple Silicon preview · check release requirements.
A FEW GOOD QUESTIONS
Before you
press play.
Is this only for music videos?
No. Music-aware editing is a strength, but the timeline, compositions, color and audio workflows also support narrative edits, social videos and motion-led visual work. Music and Cinematic modes are creative starting points, not separate project formats.
Is the automation editable?
Yes. Auto Director creates an editable arrangement. You can change the pacing, adjust timing, protect choices and refine individual clips. Analysis is a starting point; it is not a guarantee of perfect transient detection or creative judgment.
Are these real product screenshots?
The workspace tour uses captures from the ScenePilot development build. The effects gallery uses actual ScenePilot renders at three strengths, with the same source photograph for every comparison. The pacing demo is an illustrative website animation. Public release builds may lag behind the development build.
Does my footage need to go to the cloud?
No source-media upload is required for the core local editing workflow. Browser Lite uses your browser; Desktop Pro adds native local media tooling. Local AI features require their supported models and hardware.
Is ScenePilot a complete Adobe replacement?
Not yet. ScenePilot brings editing, music automation and motion into one developing suite. It is an early-access product, not a claim of full Adobe feature, plugin or production-certification parity. Test important workflows with your own media before relying on it for a delivery.
YOUR IDEA DOESN’T NEED ANOTHER TAB.
It needs
a timeline.
AFTER HOURS / ScenePilot / Browser Lite
An evening, in eighteen seconds.
Bring three original visual studies and a freshly mixed soundtrack into an editable cinematic sequence.
Gather the evening
Three original five-second clips bring the artwork, jacket and Form clasp into the media bin. The real StemDeck mix supplies the 18-second soundtrack.
Find the first cut
Cinematic mode analyzes the soundtrack at 104 BPM and creates ten master clips, with five additional overlay placements. The sequence stays editable.
Soften each arrival
The incoming edit changes from Zoom to a 0.30-second Dissolve, then applies to every master edit. The program monitor shows the resulting layered picture.
Return to the timeline
After saving and reloading, Restore saved project brings back the three source clips, soundtrack, 15 timeline items and effects. A real exported cut JSON preserves the edit map.
Actual Browser Lite session. Source clips use original artwork, jacket references and the Form render. The downloadable JSON contains edit metadata and requires the source files. MP4 export canceled before writing a file; no rendered video is claimed.
Browser Lite / WORKFLOW GALLERY
See ScenePilot in motion.
Real sessions. Four useful moments. A closer look at what you can make.
Set the canvas
Choose an aspect ratio and begin a browser video project.
Find the rhythm
Analyze an original test clip to reveal timing and shot information.
Refine the sequence
Continue with a normal editable timeline after analysis.
Explore the effects
Inspect the available Browser Lite effects and editing controls.
01 / 04
Original synthetic test footage. These are Browser Lite captures; the full native Pro workspaces have a different feature set. Browser codec and export support varies. Actual browser captures · September 29, 2026.